曹植隔著河川, 望見美人甄姬不施脂粉, 卻自然明豔的肌膚, 讓他彷彿見到洛神現世顧盼間令人心神嚮往… …

『芳澤無加,鉛華弗御…
足往神留,遺情想像… 』

洛神賦據說洛神賦為三國時期, 曹植感嘆甄姬絕世芳澤而留傳之作。一張臉孔, 在萬物形色之中最能留住他人眼光的 , 非無暇透嫩的肌膚莫屬。朕川姬要將每一道目光都緊緊抓住, 讓女人們用自信與寵愛編寫自己的最美傳說。

Cao Zhi gazed afar the fair skin of Zhen Ji’s natural gloss without rouge and powder across the river, as if the goddess of Lou arise in life, the glimpse led on the longing in the heart…

“The pale flesh lies open to view, no scented ointments overlaying it…my fancy is charmed by her modest beauty, but my heart, uneasy, stirs with distress…”It is said that “The Goddess of the Luo” was composed by Cao Zhi in the Three Kingdom era, sighed by the peerless beauty of Zhen Ji. A face is the most figure to detain one’s vision with its flawless tender flesh. ZHEN CHUAN JI must firmly catch each eye, giving all women power to level self-confident to compile the most beautiful fable with the love.

Cao Zhi gazed afar the fair skin of Zhen Ji’s natural gloss without rouge and powder across the river, as if the goddess of Lou arise in life, the glimpse led on the longing in the heart…

“The pale flesh lies open to view, no scented ointments overlaying it…my fancy is charmed by her modest beauty, but my heart, uneasy, stirs with distress…”It is said that “The Goddess of the Luo” was composed by Cao Zhi in the Three Kingdom era, sighed by the peerless beauty of Zhen Ji. A face is the most figure to detain one’s vision with its flawless tender flesh. ZHEN CHUAN JI must firmly catch each eye, giving all women power to level self-confident to compile the most beautiful fable with the love.